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History of Moxon
In 1556 the Moxon family of
Huddersfield, England, established a fine and enduring
tradition of close involvement in the creation of
quintessential quality English cloth. ¡°Nine parts
in Ten of the Exported Commodities cloth come from
the Sheep¡¯s Back¡± asserted Sir Edward Coke at the
time, celebrating the contribution made by weavers
to the nation's riches. Heralding an era of significant
growth and innovation in hand-loomed cloth of the
finest quality, the earliest Moxons nurtured their
growing relationship with that most natural and
healthy of materials, wool. Over the coming generations,
they would transform homespun yarn into luxury cloth
of the most exquisite refinement.
By the late seventeenth century, the already well-established
textile industry in the area benefited from the
growing wealth in Europe. Naturally, early generations
of Moxons played their part in the region¡¯s response
to the increasing demand in both home and foreign
markets for new standards in patterns, design and
quality. Even in the late eighteenth and nineteenth
centuries, when the textile industry saw unparalleled
expansion in techniques and markets, the Moxon family
did not forget that supremacy and excellence arise
from maintaining sound traditions, as well as from
the encouragement of fresh ones.
In 1887 Moxon, Huddersfield sent its cloth out into
the world from Old Providence Mills in Marsh, and
Benjamin H Moxon at the helm could already look
back with considerable satisfaction on his ancestors¡¯
contribution to cloth-making in the region. He and
his successors maintained a steadfast commitment
to the development and expansion of specialist and
fancy worsted weaving in Huddersfield, moving in
1889 to Springfield Mills, Kirkburton. In 1890,
Ben Moxon¡¯s two sons were taken into partnership
and the company became known as B.H. Moxon &
Sons, so ensuring the advancement of the Moxon name
into yet another century of fine cloth creation.
Continuing success saw Moxon move in 1950 to its
present site at Southfield Mills, Kirkburton occupying
custom-built workshops which sit comfortably in
pleasant Yorkshire countryside. Moxon¡¯s legendary
reputation for unrivalled design skills and peerless
craftsmanship was further bolstered in the post
war years by international recognition and imaginative
designers, and by the local commitment and experience
of locally-trained craftsmen. Moxon¡¯s priority has
been to keep alive the old, well-proven methods
unsurpassed in the creation of hand-made cloth.
The use of traditional wooden machines complements
wool¡¯s natural, healthy characteristics; and whereas
the process to finish a mass manufactured cloth
takes only seven hours, it takes Moxon craftsmen
eight days to finish a hand made cloth, and even
then its exceptional pedigree is not quite complete.
A few selected pieces of cloth acquire vintage status
when they are aged in cellars dedicated to maturing
their very special qualities whilst the whole process
is meticulously observed by Moxon craftsmen. Evidence
of the human touch at each stage of its life ensures
that every piece of cloth is a unique, never repeated
creation, making it a coveted ¡®masterpiece¡¯ in its
own right.
In the 1990¡¯s, Moxon Huddersfield continues to specialise
in the creation of exclusive and luxurious cloth
which is much sought after by an exclusive club
of connoisseurs both at home and abroad. Moxon today
is working with the best clothiers and designers,
who recognise the unique contribution which only
Moxon cloth can make to the pedigree of their exclusive
garments.
Moxon¡¯s priority has been to keep alive the old,
well-proven methods unsurpassed in the creation
of hand-made cloth. The use of traditional wooden
machines complements wool¡¯s natural, healthy characteristics;
and whereas the process to finish a mass manufactured
cloth takes only seven hours, it takes Moxon craftsmen
eight days to finish a hand made cloth, and even
then its exceptional pedigree is not quite complete.
A few selected pieces of cloth acquire vintage status
when they are aged in cellars dedicated to maturing
their very special qualities whilst the whole process
is meticulously observed by Moxon craftsmen. Evidence
of the human touch at each stage of its life ensures
that every piece of cloth is a unique, never repeated
creation, making it a coveted ¡®masterpiece¡¯ in its
own right.
Minimum quantities are single pieces with one year
exclusivity of design. Total mill production is
500 single pieces per year.
Tea
From producing point
of sale materials in natural wood and burr walnut,
Moxon moved on to producing humidors and jewellery
boxes. Through contact arising from the company¡¯s
clientele, Moxon has also been able to attach its
exclusive reputation to the world¡¯s scarcest tea,
grown in the Himalayan mountains, of which only
five chests are auctioned each year. Storage alongside
the fine wools imported by the firm has enhanced
the fine flavour of this rare tea which is only
sold privately.
Encouraged by the fact that the character of the
tea changed for the better it was decided to age
it before selling to make it a first age tea.
Altai Cashmere
Altai Cashmere
takes its name
from the mountains of Mongolia and it has been used
for a long time by Moxon. It has one
of the finest micron counts within the cashmere
family and it is regarded as the rarest because
the goats live in high altitudes where the weather
gets extremely cold and the food is scarce.
Cashmere grown by these goats tends to be finer
and has a better insulation characteristic than
cashmere that grows in lower altitudes. Because
food is scarce the fat element in the goats is minimal
and over the centuries the coat has developed characteristics
which keep them warm in winter and cool in summer.
In this rarified atmosphere only these natural fibres
can withstand such changes of temperature.
The spinning techniques in Mongolia are not refined
and it was never within their capabilities to spin
these fibres. It is only now that Europe had the
technology that makes producing this cloth into
a viable proposition.
Today Altai Cashmere is extremely difficult
to obtain
Socks
Socks are made from
the Altai Cashmere but they are different
in that they contain worsted spun yarn not wool
spun yarn. The difference is seen after the socks
are washed, as they do not shrink. Holes will not
appear, as would woollen spun.
After 12 washes they start to shed
Solo Una
A realisation by Moxon & Stefano Ricci
Solo Una ties are made from the rarest wool ever
produced. During wool sorting as little as one handful
of fibre may be taken from each sheep. The wool
is then stored for up to 3 years until there is
enough to process. This unique wool is often blended
with the finest Altai Cashmere obtained from goats
bred in the highest passes of the Altai Mountains
of Mongolia.
With a reputation of producing the most elegant
and exclusive menswear. Moxon was in the early stages
of developing a range of tie fabrics. At the same
time Mr Stefano Ricci, with his background in luxury
neckwear, was searching for the ultimate fabric.
These two streams of thought came together when
Mr Stefano Ricci and Mr Firas Chamsi-Pasha met in
Paris and a project was born.
A further twelve months was needed for the fabric
to be created. Special narrow-width antique looms
were used giving only enough of each design to make
one tie. During this time the two idealists were
vying with one another to suggest the extra touches
which would define the project. Mr Ricci, the 100%
cashmere lining, Mr Chamsi-Pasha the tie box subsequently
made luxurious by adding ¡®Mr Ricci¡¯ crocodile signature
and the idea that the ties should be sewn with a
gold needle.
As with all supreme endeavours, justice has indeed
been done to such rare materials, used to produce
The Solo Una Tie
Moxon Products
| Quality |
Weight |
Specification |
Composition |
| X1246 |
340 |
Golden
Bale - Clear Cut |
100%
Wool |
| X1308 |
330 |
Golden
Bale - Semi Milled |
100%
Wool |
| X1323 |
390 |
Golden
Bale - Bird's Eye |
100%
Wool |
| X1809 |
270 |
Super
120's Wool & Cashmere - Clear Cut |
99%
Wool / 1% Cashmere |
| X1812 |
270 |
Super
120's Wool & Cashmere |
99%
Wool / 1% Cashmere |
| X1818 |
300 |
Super
120's Wool & Cashmere - Bird's Eye |
99%
Wool / 1% Cashmere |
| X1893 |
340 |
Golden
Bale - Flannel |
100%
Wool |
| X2172 |
375 |
Golden
Bale - Barathea |
100%
Wool |
| X2246 |
300 |
Feather
Weight Super 130's Triple Black Tuxedo |
100%
Wool |
| X2286 |
330 |
Emerald
Staple - Double Plain Weave |
100%
Wool |
| X2298 |
280 |
Golden
Bale - Milled 2&2 Twill |
100%
Wool |
| X2299 |
270 |
Golden
Bale - Semi Milled 2&2 Twill |
100%
Wool |
| X2602 |
350 |
Golden
Bale - Barathea |
100%
Wool |
| X299 |
300 |
Super
120's Wool & Cashmere Jacketing |
100%
Wool |
| X1887 |
240 |
Platinum
Bale - Clear Cut 2&2 Twill |
100%
Wool |
| X2400 |
175 |
Platinum
Bale - Plain Weave |
100%
Wool |
| X2294 |
160 |
50%
Platinum Bale with 50% Silk |
50%
Wool / 50% Silk |
| X2402 |
210 |
Platinum
Bale - Plain Weave |
100%
Wool |
| X2270 |
270 |
Pure
Altai Cashmere - 2&2 Twill |
100%
Cashmere |
| X2990 |
390 |
85%
Cashmere & 15% Mink |
85%
Cashmere / 15% Mink |
| X2508 |
310 |
Pure
Altai Cashmere - 2&2 Twill Jacketing |
100%
Cashmere |
| 55064 |
300 |
Cashmere
and Vicuna |
99%
Cashmere / 1% Vicuna |
| 55065 |
300 |
Cashmere
and Vicuna |
99%
Cashmere / 1% Vicuna |
| X3885 |
270 |
Rare
Super 190's - Panama |
Super
190's Wool |
| X3887 |
240 |
Rare
Super 180's - 2&2 Twill |
Super
180's Wool |
| X3888 |
300 |
Rare
Super 180's - Barathea |
Super
130's Wool |
| X1556 |
130 |
Ultra
Rare Super 210's - Plain Weave |
Super
210' Wool |
| X2556 |
185 |
Ultra
Rare Super 210's - 2&2 Twill |
Super
210' Wool |
| X3556 |
240 |
Rare
Super 210's - Double Prunelle |
Super
210' Wool |
| X4556 |
290 |
Rare
Super 210's Platinum Bale - Double 2&2
Twill |
Super
210' Wool |
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